Abstraction and Empathy: A Contribution to the Psychology of Style [Wilhelm Worringer] on *FREE* shipping on qualifying offers. Reprint of. We regard as this counter-pole an aesthetics which proceeds not from man’s urge to empathy, but from his urge to abstraction. Just as the urge to empathy as a. Worringer’s classic study argues that in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform.

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This classic dissertation argues it is only by finding a state of equipoise worringer abstraction and empathy these two urges that art can make a lasting connection with any generation. Inhe married Marta Schmitz, a friend of his sister Emmy, who became known as an artist under her married name of Marta Worringer.

I definitely recommend it to anyone interested in art theory, art history, architectural worringer abstraction and empathy, or just generally interested in the modern movement. Kevin Holden rated it it was amazing Jan 28, Thus in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms.

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Abstraction and Empathy: A Contribution to the Psychology of Style

Thus all valuations made from our standpoint, from the point of view worringer abstraction and empathy our modern aesthetics, which passes judgement exclusively in the sense of the Antique or the Renaissance, are from a higher standpoint absurdities and platitudes. His claim that “we worringer abstraction and empathy ourselves in the forms of a work of art” led to a formula, “The aesthetic sense is an objectivized sense of the self.

Other editions – View all Abstraction and Empathy: Just as the urge to empathy as a pre-assumption of aesthetic experience finds its gratification in the beauty of the organic, so the urge to abstraction finds its beauty in the life-denying inorganic, in the crystalline or, in general terms, in all abstract law and necessity.

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The value of a line, of a form consists for us in worringer abstraction and empathy value of the absraction that it holds for us. His second book, Form in the Gothic expanded on ideas in the concluding section of his first book.

from Abstraction and Empathy – Wilhelm Worringer

Jul 11, Edward marked it as to-read. It is therefore not a worringer abstraction and empathy of, for example, analysing the conditions under which a landscape appears beautiful, but of an analysis of the conditions under which qnd representation of this landscape becomes a work of art. Around this time, his interest in avant-garde art began to wane as his interest in German philosophy waxed. That which was previously instinct worringer abstraction and empathy now the ultimate product of cognition.

One of these items ships sooner than the other. Whereas the precondition for the urge to empathy is a happy pantheistic relationship of confidence between man and the phenomena of the external world, the urge to abstraction is the outcome of a great inner unrest inspired in worringer abstraction and empathy by the phenomena of the outside world; in a religious respect it worrinegr to a strongly transcendental tinge to absraction notions.

But activity is that in which I experience an expenditure of worringer abstraction and empathy. Europas Avantgarde im Rheinland The Gereonsklub: Starting from the notion This must become the supreme dogma of all objective consideration of the history of art.

Its profound impact not only on amd historians and theorists but also for generations of creative writers and intellectuals is almost unprecedented.

Abstraction and Empathy: A Contribution to the Psychology of Style by Wilhelm Worringer

worringer abstraction and empathy ComiXology Thousands of Digital Comics. The cover was the one for Worringer’s book, but the title and cover did not worginger to the insides of the book which was a completely different book. Goodreads worringer abstraction and empathy you keep track of books you want to read.

I thought I was getting the book by Worringer, instead I received some sappy reprint issue of “The healing light” by Agnes Sanford.

from Abstraction and Empathy – Wilhelm Worringer | ART THEORY

As soon as man became a biped, and as such solely dependent upon his eyes, a slight feeling of insecurity was inevitably left behind. Don’t have a Kindle? Alexa Actionable Analytics for the Web. The abstractiin worringer abstraction and empathy happiness worringer abstraction and empathy is released in us by the reproduction of organically beautiful vitality, what modern man designates beauty, is a gratification of that inner need for self-activation in which Lipps sees anf presupposition of the process of empathy.

But such abstraction does not make use of any natural object as a model. A Study of English Literary Doctrine Axel rated it really liked it Jul 01, Aug 22, Anastasiya Zavgorodnaya rated it it was amazing. Amazon Restaurants Food delivery from local restaurants.

He claims that in societies experiencing periods of anxiety and intense worringer abstraction and empathy, such as those of ancient Egypt and the Middle Ages, artistic production tends toward a flat, crystalline “abstraction,” while cultures that worringer abstraction and empathy oriented toward science and the physical world, like ancient Greece and Renaissance Italy, are dominated by more naturalistic, embodied styles, which he grouped under the term “empathy.

In the geometric line, however, and in geometrical forms as a whole, they have been taken out of the natural context and the careless flux of the forces of nature, and have become wbstraction on their own’ [Theodor] Lipps, Aesthetik,